From the album RISE, released August 1, 2026. Stream the album: https://ffm.to/rise-wkeh Composed by Shawn Okpebholo PERFORMERS Brandon Patrick George — Flute Mekhi Gladden — Oboe Mark Dover — Clarinet Kevin Newton — French Horn Monica Ellis — Bassoon PRODUCTION Produced by Doron Schachter, Silas Brown and Mark Dover Recorded by Chris Gilroy Assistant Engineer: Nicole Harwayne Mixed by Charles Mueller Mastered by Mike Tierney VIDEO Video by Simon Yu, Simon Yu Productions Camera Operators: Tracy Yang, Andreas Hofweber, and Mike Moore Recorded at Douglass Recording, United States of America. ℗ 2026 Imani Winds Media © 2026 Imani Winds Media

for horn (amplified+effects) and prerecorded and processed horns Homenaje a Claudio Monteverdi, Giovanni Gabrieli y Andrea Gabrieli Kevin Newton, horn

From Book of Spells - Music by Stephen Cabell MOVEMENTS: 00:00 - I. Invocation— 00:47 - II. Prosperity 03:05 - III. Protection MOSTLY MODERN BRASS Wayne Dumaine, trumpet Davy DeArmond, trumpet Kevin Newton, horn Bradley Kerns, trombone Brandon Smith, tuba MOSTLY MODERN FESTIVAL Skidmore College, Arthur Zankel Music Hall Saratoga Springs, New York (USA) 6/11/2026 LINKS Festival: https://www.mostlymodernfestival.org Composer: https://stephencabell.com Book of Spells - For More Information: https://stephencabell.com/book-of-spells Audio by Classical Recording Service: https://www.classicalrecordingservice.com/ Video by DeepDof: https://www.deepdof.com/

From Passion for Bach and Coltrane by Jeff Scott, poetry by A.B. Spellman. This movement describes the beauty of John Coltrane's music.

untethered for horn quartet with prominent solo part Recording from virtual premiere by hornist Kevin Newton (knewhorn.com) as part of the 2020 Composers Conference. ------ Program Notes: The title untethered is taken from a poem written by a dear friend Rev. Kim Wildszewski, with whom I worked closely during my tenure as an accompanist at the Unitarian Universalist Church at Washington Crossing. In May of 2020, in the midst of the coronavirus pandemic, Kim and her wife, Tara, suddenly lost their young son, Malcolm. The unbelievable tragedy of losing their child was amplified by the complications of the pandemic, as those of us who loved Malcolm were unable to gather or grieve together.  It was shortly after this time that I was asked to write a horn piece for the 2020 Composers Conference. Without consciously realizing that I was doing so, I processed much of what I was feeling in the wake of Malcolm’s death through writing this piece. It was only at the very end of the compositional process, when I came to the title untethered, that I realized this piece was for Malcolm.  There are moments in the piece of near-emptiness and scarcity, and others that feel more like a reflection of Malcolm’s vibrant spirit: a joyous toddler who loved music.  // erinbusch.com

#VillaLobos​ Heitor Villa-Lobos (1887 - 1959) Quintette en Forme de Choros (1928) Imani Winds Brandon Patrick George, flute Toyin Spellman-Diaz, oboe Mark Dover, clarinet Monica Ellis, bassoon Kevin Newton, horn The Phillips Collection 🇺🇸 Washington D.C., 2021 The music published in this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to YouTube, and it will be our care to remove immediately the video accordingly.

Jazz Finale--Consider the Lillies with John & Sachi Patitucci and Friends St Paul's German Lutheran Church - Saturday June 15, 2019 Thank you for listening and for your support: https://www.chelseamusicfestival.org/support Consider the Lillies (2019) by John Patitucci (b.1959) Painting "Consider the Lillies" by Noemia Boccato Piano | Aaron Diehl, Helen Sung Cello | Sachi Patitucci Bass | John Patitucci Percussion | Rogerio Boccato Woodwind Quintet Flute | Xue Su Clarinet | Yumi Ito Oboe | Phil Rashkin Bassoon | Brad Balliett Horn | Kevin Newton Part of: -Jazz at the Chelsea Music Festival Playlist - https://www.youtube.com/playlist?list=PLWIgLmkq5gpbIZ6zjnIR3Q7433hOUc0dL Chief Audio Engineer: Brett Leonard Video Director: Lauran Jurrius, Polycast Video Editor: Ako Shergazy https://www.chelseamusicfestival.org Subscribe on YouTube and turn on notifications (bell icon) on mobile & desktop! Follow us https://linktr.ee/chelseamusicfestival Thank you for supporting the arts: https://www.chelseamusicfestival.org/support

This is the 7th movement of a nine-movement work, UNSEEN. Composer: Michael Torke Performers: Michael Torke Orchestra, East Coast Chamber Orchestra Music Director: Michael Torke Recording Locations: Sound on Sound Studio (NJ), Samurai Hotel Recording Studio (NY) Recording Dates: Feb 10, Mar 6, 20, May 4, 5, 2023 Producers: Silas Brown, Michael Torke Mastering: Silas Brown Publisher: Adjustable Music; Bill Holab Music, agent; Modern Works Music Publishing, agent Ecstatic Records: ER092402 Musicians: Flutes: Tara O’Connor, Adeline DeBella Oboes: Toyin Spellman-Diaz, Noah Kay Clarinets: Alan Kay, Yu-Ting Cheng Bassoons: Monica Ellis, Gina Cuffari Horns: John Clark, Jeffrey Scott, Kevin Newton, Eric C. Davis Trumpets: Chris Martin, Ray Riccomini Trombones: Joseph Alessi, Marshall Gilkes, Carlos Jiménez Fernández, Colin Williams Timpani: Eric Poland Vibes and Marimba: Ian Rosenbaum Piano: Amir Farid Violins: Siwoo Kim, Min-Young Kim, Joanna Maurer, Kobi Malkin, Rebecca Fischer, Nick Kendall Violas: Jessica Thompson, Celia Hatton, Brian Hong Cellos: Gabriel Cabezas, Mihai Marica, Jia Kim Bass: Anthony Manzo Contracting: Melissa Reardon UNSEEN (2024) is the fourth composition and recording that completes a tetralogy of work; BEING (2020), PSALMS AND CANTICLES (2021), and TIME (2022) have preceded it. Unifying these four projects is the use of syncopated rhythms caused by the intersection of 3’s against 2’s, which through their interlocking, creates a unified rhythmic effect, or groove. Melodies and harmonies flow from the rhythms used. What sets UNSEEN apart from the other three is the size of the group: a full orchestra. I brought together musicians I’ve worked with in New York with the strings of the East Coast Chamber Orchestra. The scope is larger and the color possibilities more varied when writing for orchestra, compared to chamber groups. Colossal timbres can be achieved with a full brass section, woodwinds in pairs can provide scintillating pinpoints of light, and a full string section gives a sheen of richness (through the accumulation of minute pitch variation) as well as the particularity of unified bow strokes. The title, UNSEEN, comes from the Nicene Creed “…creator of all things, seen and unseen.” We are a visual people—we take in the world primarily through our eyes. But what we value the most are things that can’t be seen: feelings, ideas, energy, accomplishment, memories, contentment. What I seek in these four projects is a way for music to take us outside of ourselves. If through its rhythms and harmonies we give up a literal grip on the now, such experience opens the potential of renewal and even a kind of cleansing joy.

Tredici Bacci plays Cardiacs' Tarred & Feathered Live at Rubulad on 6/29/2021. follow us @tredicibacci on instagram! video by Gabiel Garcia filmed by Kate Sweeny, Eric Durkin & Harris Meyerson audio recorded and mixed by Ernie Indradat

Audio & Video: Johannes Felscher Additional Camera Operator: Adrien H. Tillmann

Our original arrangement of Stevie Wonder's iconic "Isn't She Lovely." Special thanks to: Guitar - Ben Shugarman Bass - Dylan Kaminkow Drums - Graham Doby Videography - Jonathan Shugarman Mixing/Mastering - Dylan Kaminkow (Audubon Lab) Video editing - Graham Doby

Tiny Golden Bells Performed by Imani Winds: Brandon Patrick George, flute Toyin Spellman-Diaz, oboe Mark Dover, clarinet Kevin Newton, horn Monica Ellis, bassoon Directed and edited by: Zac James Nicholson Shot by: Jeffrey Clanet and Zac James Nicholson Audio by: Johannes Felscher Special thanks to: Storm King Art Center, Victoria Lichtendorf, and Anthony Davidowitz