This is the 7th movement of a nine-movement work, UNSEEN. Composer: Michael Torke Performers: Michael Torke Orchestra, East Coast Chamber Orchestra Music Director: Michael Torke Recording Locations: Sound on Sound Studio (NJ), Samurai Hotel Recording Studio (NY) Recording Dates: Feb 10, Mar 6, 20, May 4, 5, 2023 Producers: Silas Brown, Michael Torke Mastering: Silas Brown Publisher: Adjustable Music; Bill Holab Music, agent; Modern Works Music Publishing, agent Ecstatic Records: ER092402 Musicians: Flutes: Tara O’Connor, Adeline DeBella Oboes: Toyin Spellman-Diaz, Noah Kay Clarinets: Alan Kay, Yu-Ting Cheng Bassoons: Monica Ellis, Gina Cuffari Horns: John Clark, Jeffrey Scott, Kevin Newton, Eric C. Davis Trumpets: Chris Martin, Ray Riccomini Trombones: Joseph Alessi, Marshall Gilkes, Carlos Jiménez Fernández, Colin Williams Timpani: Eric Poland Vibes and Marimba: Ian Rosenbaum Piano: Amir Farid Violins: Siwoo Kim, Min-Young Kim, Joanna Maurer, Kobi Malkin, Rebecca Fischer, Nick Kendall Violas: Jessica Thompson, Celia Hatton, Brian Hong Cellos: Gabriel Cabezas, Mihai Marica, Jia Kim Bass: Anthony Manzo Contracting: Melissa Reardon UNSEEN (2024) is the fourth composition and recording that completes a tetralogy of work; BEING (2020), PSALMS AND CANTICLES (2021), and TIME (2022) have preceded it. Unifying these four projects is the use of syncopated rhythms caused by the intersection of 3’s against 2’s, which through their interlocking, creates a unified rhythmic effect, or groove. Melodies and harmonies flow from the rhythms used. What sets UNSEEN apart from the other three is the size of the group: a full orchestra. I brought together musicians I’ve worked with in New York with the strings of the East Coast Chamber Orchestra. The scope is larger and the color possibilities more varied when writing for orchestra, compared to chamber groups. Colossal timbres can be achieved with a full brass section, woodwinds in pairs can provide scintillating pinpoints of light, and a full string section gives a sheen of richness (through the accumulation of minute pitch variation) as well as the particularity of unified bow strokes. The title, UNSEEN, comes from the Nicene Creed “…creator of all things, seen and unseen.” We are a visual people—we take in the world primarily through our eyes. But what we value the most are things that can’t be seen: feelings, ideas, energy, accomplishment, memories, contentment. What I seek in these four projects is a way for music to take us outside of ourselves. If through its rhythms and harmonies we give up a literal grip on the now, such experience opens the potential of renewal and even a kind of cleansing joy.

#VillaLobos​ Heitor Villa-Lobos (1887 - 1959) Quintette en Forme de Choros (1928) Imani Winds Brandon Patrick George, flute Toyin Spellman-Diaz, oboe Mark Dover, clarinet Monica Ellis, bassoon Kevin Newton, horn The Phillips Collection 🇺🇸 Washington D.C., 2021 The music published in this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to YouTube, and it will be our care to remove immediately the video accordingly.

Jazz Finale--Consider the Lillies with John & Sachi Patitucci and Friends St Paul's German Lutheran Church - Saturday June 15, 2019 Thank you for listening and for your support: https://www.chelseamusicfestival.org/support Consider the Lillies (2019) by John Patitucci (b.1959) Painting "Consider the Lillies" by Noemia Boccato Piano | Aaron Diehl, Helen Sung Cello | Sachi Patitucci Bass | John Patitucci Percussion | Rogerio Boccato Woodwind Quintet Flute | Xue Su Clarinet | Yumi Ito Oboe | Phil Rashkin Bassoon | Brad Balliett Horn | Kevin Newton Part of: -Jazz at the Chelsea Music Festival Playlist - https://www.youtube.com/playlist?list=PLWIgLmkq5gpbIZ6zjnIR3Q7433hOUc0dL Chief Audio Engineer: Brett Leonard Video Director: Lauran Jurrius, Polycast Video Editor: Ako Shergazy https://www.chelseamusicfestival.org Subscribe on YouTube and turn on notifications (bell icon) on mobile & desktop! Follow us https://linktr.ee/chelseamusicfestival Thank you for supporting the arts: https://www.chelseamusicfestival.org/support

for horn (amplified+effects) and prerecorded and processed horns Homenaje a Claudio Monteverdi, Giovanni Gabrieli y Andrea Gabrieli Kevin Newton, horn

Tredici Bacci plays Cardiacs' Tarred & Feathered Live at Rubulad on 6/29/2021. follow us @tredicibacci on instagram! video by Gabiel Garcia filmed by Kate Sweeny, Eric Durkin & Harris Meyerson audio recorded and mixed by Ernie Indradat

Our original arrangement of Stevie Wonder's iconic "Isn't She Lovely." Special thanks to: Guitar - Ben Shugarman Bass - Dylan Kaminkow Drums - Graham Doby Videography - Jonathan Shugarman Mixing/Mastering - Dylan Kaminkow (Audubon Lab) Video editing - Graham Doby

Mongo Santamaria — Afro Blue Imani Winds Brandon Patrick George, flute Toyin Spellman-Diaz, oboe Kevin Newton, French horn Mark Dover, clarinet Monica Ellis, bassoon

Tiny Golden Bells Performed by Imani Winds: Brandon Patrick George, flute Toyin Spellman-Diaz, oboe Mark Dover, clarinet Kevin Newton, horn Monica Ellis, bassoon Directed and edited by: Zac James Nicholson Shot by: Jeffrey Clanet and Zac James Nicholson Audio by: Johannes Felscher Special thanks to: Storm King Art Center, Victoria Lichtendorf, and Anthony Davidowitz